Sidor Belarsky | |
|---|---|
| Born | Isidor Livshitz ()December 27, Kryzhopil, Ukraine |
| Died | 7 June () (aged&#;76) |
| Nationality | Ukrainian |
| Alma&#;mater | Petersburg State Conservatory |
| Occupation | Opera singer (basso) |
| Spouse(s) | Clarunia (Oct. 17, Feb. 21, ) [1] |
| Children | Isabel |
Sidor Belarsky, born Isidor Livshitz (December 27, [Note 1] &#; June 7, ), was an internationally recognized American opera singer, educator and interpreter of Judaic folk songs, Chassidic Nigunim and Judaic cantorial music [6]
Sidor Belarsky was born to a Jewish family in Kryzhopil, Ukraine.[8] He emigrated with his wife Clarunia and daughter Isabel to the United States in February [9][10] or [11] Initially, his family was automatically detained at Ellis Island since the United States did not maintain diplomatic relations with the Soviet Union at that time.[12][11][10]
Belarsky first pursued musical studies at the Odessa Conservatory and in Berlin.[13] He later graduated from the State Conservatory at Leningrad in and soon emerged as a soloist with the Kirov Opera company as well as a leading basso with the Leningrad State Opera Company.[14][15][16][17]
After arriving in the United States in while on a concert tour, he was invited by Franklin S. Harris to join the faculty at Brigham Young University, where taught vocal music from [15] He was also on the faculty at the University of Utah.[18][15] He soon established residency in Los Angeles from where he concertized with the Los Angeles Symphony at the Hollywood Bowl in productions of Boris Godunov and Eugene Onegin.[19][20] While in Los Angeles he also founded the American Opera Company.[19][20] He later acquired a faculty position as Professor of Music at the Jewish Teachers Seminary - Herzliah Institute in New York City while continuing to concertize in Europe, the Middle East, Canada and South America.[20][18]
Throughout his career, Belarsky concertized extensively in the United States as a leading basso with several operatic companies including: Chicago Civic Opera, San Francisco Opera, the American Opera Company of Los Angeles and the New York City Center Opera in a production of Tosca in [15][16] In South America, he also appeared at Teatro Municipal in Rio De Janeiro and Teatro Colon in Buenos Aires.[15] During the concert season, Belarsky also toured extensively in South Africa and Israel performing a repertoire of Jewish folk music.[21]
He appeared as a concert soloist at New York City's Carnegie Hall[22] in over 22 solo performances between and and also appeared with the NBC Symphony Orchestra under the direction of Arturo Toscannini in a performance of Beethoven's opera Fidelio.[15][16][23][24] By Belarsky also emerged in the Broadway Theatre as a member of the cast in the revival of several operas by Giacomo Puccini at the Center Theatre including: La Tosca and La Boheme.[25] As part of his encore presentations in the concert hall, Belarsky often included the work "Mayn rueh plats" ("My quiet place") by the poet Morris Rosenfeld.[26]
Along with many leading cantors of his time, Belarsky concertized in an effort to raise funds for the Zionist cause as the oppression of the Nazi regime in Germany accelerated in the s.[27] In Belarsky performed in Israel while celebrating its founding and contributed to the documentary film Shalom Israel in [19] His recording of "Dem Milners Trern" ("The Miller's Tears"), a Yiddish folk song composed by M. M. Warshavsky, was featured in the Coen brothers's film, A Serious Man.[28] The song's subject is the expulsion of Jews from hundreds of villages in Czarist Russia.[29] In he performed in a concert sponsored by the Association to Perpetuate the Memory of Ukrainian Jews before a packed house at New York City's Town Hall.[30] During the concert season he emerged once again in South Africa in recitals of Yiddish and Hebrew songs.[31]
| External audio | |
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| Your may hear Sidor Belarsky with the Mischa Borr Orchestra and John Serry on the album "Songs of the Steppes" in Here on |
During the s Belarsky also recorded several popular Ukrainian/Russian folk songs in collaboration with the accordionist John Serry and the Mischa Borr Orchestra for the RCA Victor label which included: "Dark Night (# , ) by Nikita Bogoslovsky, "By the Cradle" (# , ) by Aleksandre Alekseevich Olenin, "Katusha" (# , ) by Hy Zaret and "Hobo Song" (aka "Mother") (# , ) by Valerii Viktorovich Zhelobinsky.[32]
Belarsky's recordings of Judaic folk songs were made on several labels including RCA Victor, Artistic Enterprises and Besa Records.[33][34]
Along with Jan Peerce and Richard Tucker, Sidor Belodsky has been credited with helping to keep Yiddish folk songs alive both onstage and in recordings during the 20th century.[35] His admirers included several leading Jewish intellectuals including: Albert Einstein, President Zalman Shazar of Israel and Eli Wiesel.[36]
Sidor Belarsky died at the age of 77 in at North Shore Hospital in Manhasset, Long Island in New York.[37][6]
Sidor Belarsky received critical acclaim for his performances as an operatic basso baritone. The Billboard magazine noted that his performance with the Mischa Borr Orchestra exemplified a resonant, exhilarating voice within a wide tonal range which reflected a true expression of Russian folk music.[38]
It has also been observed that Belarsky utilized his classical training as an operatic basso to interpret Yiddhish folk songs and Jewish art music with a finely controlled approach.[39] This seriousness of tone and classical formality differentiates his work from performances typically found in the traditional Yiddhish musical theater and the synagogue.[39] His vocal warmth and musicality is said to have struck a chord with American Jews of multiple generations.[39]
Sidor Belarsky's extensive discography includes over 75 recordings of Judaic folk songs including:[33]
Secular Jewish music
Jewish music
Jewish art music